In The Rape of the Lock Alexander Pope (1688-1744) employs a mock-epic style to satirise the beau-monde (fashionable world, society of the elite) of eighteenth century England. The richness of the poem, however, reveals more than a straightforward satirical attack. Alongside the criticism we can detect Popes fascination with, and perhaps admiration for, Belinda and the society in which she moves.

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